3/25/2021 0 Comments Korg Sv1 Manual
It has the same, belllike quality and, with RX Noise applied, it rattles just as it should.Read all about it in our world exclusive review Photo: Mike Cameron.Two of these are selectors for the six banks of six sounds (yes.The rest of the knobs and switches control the integrated effects units, and the only hint of anything deeper lies in four buttons marked Transpose, Local Off, Touch and Function.
The last of these provides access to the tuning curves (equal temperament, five types of stretched tuning, and two userdefined curves that you can create in the supplied PCMac editor), the MIDI channel, and the level of the RX Noise layer (see the RX Noise box). One is for the supplied damper pedal, the second accepts a footswitch, and the third accepts either a footswitch or an expression pedal. Korg Sv1 Software Theres AlsoGood news: you can configure these as a damper with halfpedalling, sostenuto and soft pedals of a real piano.) The only other hole is for a USB cable that also carries MIDI data and provides the means for connecting a Mac or PC running the bundled editor software Theres also a headphone socket but, sensibly, this is located at the front of the instrument. So, for example, it seems that Sound 1 in Bank 1 is always based upon the first of the Rhodes multisamples. But when exploring the editor, I dropped an EP200 sound from Bank 2 into Slot 1 in Bank 1. The good one is that the SV1 is more flexible than you might think, allowing you to create all manner of variations of favourite instruments and discarding instruments that are of less interest. The bad news is that, once you have discarded the only factory sound based upon a particular multisample, theres no way of creating another one without hooking up the editor or by performing a factory reset (which destroys all the onboard sounds youve created). There are no horrendous multisampling points across the keyboard, and the velocity zones are discrete at either end of the keyboard, although a bit more noticeable in the midrange. The impression of the soundboard and sympathetic resonance is superb, and the velocitysensitive RX Noise layer recreates the depression and release thunk of the sustain pedal itself. More ambient than the Yamaha, its multisampling is slightly more evident, but nonetheless I prefer this to the Japanese piano. The multisample underneath the Mono Grand sound is described as a monophonic version of the German grand, but Ive yet to discover the piano that changes its tone and character when you remove a microphone from its vicinity. Far too often, manufacturers of digital pianos seem to think that uprights have no depth or character, but Korgs sound conforms exactly to a description I have used many times its like a grand piano, but a little less so. ![]() Both are pleasant, but the inability to control the relative volume of the string layer means that the first of these may be of limited use. For me, the second offers a nicer blend, and I would be happy to use it. From left to right, we find a USB port, three pedal inputs, MIDI IO, and stereo audio inputs and outputs, the latter on a choice of quarterinch or XLR connections. Although the multisample zones are clearly audible at times, Ill remind myself that Rhodes pianos were never consistent across their keyboards. Likewise, while the transitions between velocity zones are a little abrupt at times, they are acceptable when playing normally, and overall these samples are a pleasure to play. Consequently, I wasnt surprised when I caught another whiff of the multisample splits and velocity zones while listening to the SV1s two EP200 multisamples. Nonetheless, an 88note EP200 is a thing of joy, especially when the amplitude envelope and tone outside of the original range feel exactly right. The timbre of the SV1s emulation is very good, and it has a much smoother velocity response and less obvious multisampling than the Rhodes and Wurlitzer multisamples. Whats more, its amplitude envelope is distinctly superior to emulations that I have reviewed on other instruments.
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